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Vivek V. Narayan

Assistant Professor of English, Theatre, and Performance Studies,
Department of English, Ashoka University

Ph.D. Stanford University

Vivek V. Narayan is a scholar, performance-maker, and writer working on caste and anti-caste politics in south India. He is Assistant Professor of English, Theatre, and Performance Studies at Ashoka University and an alumnus of Stanford University, Royal Holloway, University of London, and St. Xavier’s College, Mumbai. His book project, Stolen Fire: Caste Scripts and Anti-Caste Politics in South India, 1806-1941, views the long history of anti-caste struggle in colonial-era Travancore through the lens of performance. His writing appears in The Oxford Handbook of Modern Indian LiteraturesTheatre SurveyJ-CASTEModern DramaThe Georgia ReviewBlack Warrior ReviewMuse IndiaThe CaravanAZUREThe Bombay Review, and The Hindu, among others, while his plays have been performed at various venues in India, the UK, and the USA. His work was awarded the Bluestone Rising Scholar Prize in 2019, the Charles R. Lyons Memorial Prize for Outstanding Dissertation in 2019, two Charles Wallace India Trust Awards in 2009 and 2023, a Postdoctoral Fellowship from ICAS:MP in 2024, and was shortlisted for the Hindu MetroPlus Playwright Award in 2008.

  • Stolen Fire: Caste Scripts and Anti-Caste Politics in South India, 1806-1941 (monograph in preparation)
  • “Encasted Formalism: Notes on Reading Caste Scripts in Fiction,” in Ulka Anjaria and Anjali Nerlekar, eds, The Oxford Handbook of Modern Indian Literatures (published online ahead of print), 2023, https://doi.org/10.1093/oxfordhb/9780197647912.013.14
  • “Caste as Performance: Ayyankali and the Caste Scripts of Colonial Kerala,” Theatre Survey, vol. 62, no. 3, 2021, pp. 272–294., doi:10.1017/S004055742100020X
  • “Mirrors of the Soul: Performative egalitarianisms and genealogies of the human in colonial-era Travancore, 1854-1927,” CASTE: A Global Journal on Social Exclusion, vol. 1, no. 1, 2020, pp. 125-54., doi:10.26812/caste.v1i1.96
  • “Means of Production: Sunil Shanbag’s life in the theatre,” The Caravan, 1 Jun 2014. <http://www.caravanmagazine.in/reportage/means-production>
  • [Review] Mala Renganathan and Arnab Bhattacharya, eds. Rabindranath Tagore’s Drama in the Perspective of Indian Theatre,” Modern Drama, vol. 64, no. 3, Fall 2021, pp. 385-7., doi.org/10.3138/md.64.3.br6
  • [Review essay] “Engineering Caste Privilege: In The Caste of Merit, Ajantha Subramanian unpacks the precise mechanics that power the engines of caste privilege,” CASTE: A Global Journal on Social Exclusion, vol. 1, no. 2, 2020, pp. 215-26., doi:10.26812/caste.v1i2.223

Introduction to Drama and Theatre

Postcolonial Literatures

Introduction to Performance Studies

Transnational Solidarities

Performance/ Politics

The Twilight of Modernity

  • Charles Wallace India Trust Fellowship at the Institute for Advanced Studies in the Humanities, University of Edinburgh, 2023
  • Postdoctoral Fellowship from the M.S. Merian – R. Tagore International Centre of Advanced Studies: ‘Metamorphoses of the Political’ (ICAS:MP), New Delhi, 2024
  • Bluestone Rising Scholar Prize, 2019
  • Charles R. Lyons Memorial Prize for Outstanding Dissertation, 2019
  • Charles Wallace India Trust long-term award, 2008-9
  • Shortlisted for The Hindu MetroPlus Playwright Award, 2008
Study at Ashoka

Study at Ashoka

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